000 02760cam a2200397 i 4500
999 _c185942
001 18109989
003 SPU
005 20170915112200.0
008 140409s2014 nyua b 001 0 eng
010 _a 2014004627
020 _a9781501317736
050 0 0 _aPN 1993.5.J3
_bD42D 2016
100 1 _aDeamer, David.
245 1 0 _aDeleuze, Japanese cinema, and the atom bomb :
_bthe spectre of impossibility /
_cDavid Deamer.
264 1 _aNew York :
_bBloomsbury,
_c2016
300 _axvi, 326 pages :
_billustrations ;
_c24 cm.
449 _a110612
505 _aSpecial images, Cinema, Cinesis
505 _aTraces : symptoms and figures
505 _aImpure Anarchi multiplicities
520 _a"David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, by exploring how Japanese films responded to and were transformed by the atomic bombings of Hiroshima and Nagasaki. From the early days of American occupation political censorship through to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the event permeate post-war Japanese cinema. Each chapter begins by focusing upon one of three key themes: taxonomy, history or thought, before going on to explore a broad selection of films from 1945 to the present day, including respected masterpieces (Akira Kurosawa's Rashomon, 1951); popular and cult cinema (Godzilla, 1954; world renowned anime, Akira, 1988); the new wave (Nagisa Oshima's Night and Fog in Japan, 1960); and modern classics (Hideo Nakata's Ring, 1998). The author provides a series of monochrome diagrams to clarify and illustrate the concepts and conceptual components explored within the text, establishing a unique addition to Deleuze and cinema studies"--
_cProvided by publisher.
600 1 0 _aDeleuze, Gilles,
_d1925-1995.
650 0 _aMOTION PICTURES
_zJAPAN
_xHISTORY
_y20TH CENTURY
_9225461
650 0 _aNUCLEAR WARFARE IN MOTION POCTURES
_9225462
650 0 0 _aMOTION PICTURES
_xPHILOSOPHY
_951902
850 _aSPU
910 _aคณะนิเทศศาสตร์ (ผศ.นับทอง ทองใบ) งาน SPU Book Fair 2017
_bร้าน My Bookstore
_c010917
_pF066960
942 _2lcc
_cGEN
998 _ajirawan 0917
_bjirawan 0917