| 000 | 01101nam a2200301 4500 | ||
|---|---|---|---|
| 999 | _c177802 | ||
| 003 | SPU | ||
| 005 | 20180912120011.0 | ||
| 008 | 160122s2014 eng | ||
| 020 |
_a9780415829588 _c2500 |
||
| 040 | _aSPU | ||
| 049 | _aSPU_CHN | ||
| 050 | 0 | 0 |
_aML 74.3 _bL36D 2014 |
| 100 | 0 |
_aLangford, Simon _9183174 |
|
| 245 | 1 | 0 |
_aDigital audio editing: Correcting and enhancing audio in pro tools, logic Pro, cubase, and studio one / _cSimon Langford, author |
| 246 | _aDigital audio editing | ||
| 260 |
_aBurlington : _bFocal Press, _c2014 |
||
| 300 |
_axiii, 322 p. : _bill ; _c23 cm. |
||
| 505 | 0 | _aAudio editing 101 page 5-14 - - Different aims of audio editing page 15-24 - - Cutting copying, pasting, and moving page 25-46 - - Fades and cross-fades page 47-68 - - Level control page 69-84 - -Tonal matching page 85-88 - -Comping and alternate takes page 89-112 - -Multi-track comping page 113-132 - - Transient detection page 133-152 - - Beat-mapping and recycling page 153-176 - - Drum replacement page 177-194 - -Time-stretching page 195-218 - - Elastic audio (time) page 219-238 - - Pitch-shifting page 239-264 - - Editing in the third dimension page 265-274 - - Spectral editing page 275-292 - - Application of audio restoration page 293-310 - - Thinking outside the box page 311-316 | |
| 630 | 0 |
_aCUBASE _9148998 |
|
| 650 | 0 |
_aPRO TOOLS _9215504 |
|
| 650 | 0 |
_aLOGIC (COMPUTER FILE) _9215499 |
|
| 650 | 0 |
_aSTUDIO ONE (COMPUTER FILE) _9215505 |
|
| 650 | 0 |
_aDIGITAL AUDIO EDITORS _9148999 |
|
| 850 | _aSPU | ||
| 942 |
_cGEN _2lcc |
||
| 998 |
_atook 0116 _btook 0116 |
||