The Marvel Studios phenomenon : inside a transmedia universe / Martin Flanagan, Mike McKenny, Andrew Livingstone
Material type:
TextPublisher: New York : Bloomsbury Academic, An imprint of Bloomsbury Publisihing, Inc., 2016Description: xii, 268 pages ; 24 cmContent type: - text
- unmediated
- volume
- PN 1999.M25 F52M 2016
| Item type | Current library | Collection | Shelving location | Call number | Status | Barcode | |
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General Book
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SPU Library, Bangkok (Main Campus) | General Books (ENGLISH) | Floor 7: General Shelves (ENGLISH): A-G/K-Z | PN 1999.M25 F52M 2016 (Browse shelf(Opens below)) | Available | F067070 |
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| PN 1998.3.T3 ส984อ 2554 องค์ความรู้ศิลปินแห่งชาติ : นายแท้ ประกาศวุฒิสาร / | PN 1998.3 T67C 2013 Cabinet of curiosities : my notebooks, collections, and other obsessions / | PN 1998.3.W46 K64F 1993 The films of Wim Wenders : cinema as vision and desire / | PN 1999.M25 F52M 2016 The Marvel Studios phenomenon : inside a transmedia universe / | PN 1999.W27 S73O 2019 One day at Disney : meet the people who make the magic across the globe / | PN 2000 ม152ว 2560 วรรณกรรมการแสดง = Performance literature / | PN 2035 H37C 1992 The concise Oxford companion to the theatre |
Includes bibliographical references and index
'Films Lead Policy' : Marvel's Industrial (R)evolution and the Birth of a Studio
An Organization of Storytellers : The Marvel Story, According to Marvel
'Doth Mother know you weareth her drapes?': The Genre Tactics of Marvel Studios
Captains America
Teams/Screens
"The Marvel Studios Phenomenon evaluates the studio's identity, as well as its status within the structures of parent Disney. In a new set of readings of key texts such as Captain America: The Winter Soldier, Guardians of the Galaxy and Agents of S.H.I.E.L.D., the thematics of superhero fiction and the role of fandom are considered. The authors identify milestones from Marvel's complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, and latterly, successful subsidiary of a vast entertainment empire. As it drives the process whereby large-scale cinematic practice encounters a converged entertainment age, what kind of organization is Marvel Studios? How does it co-ordinate a transmedia storyworld to the satisfaction of niche fan communities as well as a popular audience?"-- Provided by publisher
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